Action as SculptureLygia Clark & Franz Erhard WaltherDecember 9, 2023 – September 22, 2024
Two major figures from the second half of the twentieth century art history whose works revolutionized the role of the viewer meet in the exhibition ACTION AS SCULPTURE / HANDLUNG ALS SKULPTUR: Lygia Clark & Franz Erhard Walther.
Although Clark (1920 – 1988, Brazil) and Walther (*1939, Germany) never knew each other personally, their artistic explorations developed crucial similarities at nearly the same time, despite the artists’ geographic, generational, and cultural differences.
Through their works, the two artists changed the role of viewers, turning them from observers into participants active in creating the work of art. In correspondence with the temporary, open-ended structure of the two approaches to art, the show ACTION AS SCULPTURE / HANDLUNG ALS SKULPTUR concentrates on the process of activating the works using reproductions of exhibition pieces by both of the artists.
The works on display date from the early 1960s into the 1970s. During this period of time, both artists explored aspects of participatory art in each of their particular cultural contexts—in Clark’s case, Brazil, and in Walther’s case, Germany and the United States.
Even though both artists came from the painting world—Clark from Neo-concretism and Walther from Informalism—the trailblazing works they created almost simultaneously from 1963 onward, without either artist consciously influencing the other, are sculptures that can be touched, carried, and felt.
Starting with the details of their individual works of art, ACTION AS SCULPTURE / HANDLUNG ALS SKULPTUR underscores the apparent similarities in the development of their fragmentary conceptions, which hold that the world must relate to the real space and that action and time are integral components in the process of realizing the artwork.
In selecting the works by both Clark and Walther, the emphasis was on their inventive redefinitions of the traditional concepts of object, form, exhibition, authorship, and aesthetic experience. Some of the exhibition’s radical positions focus on the viewer, who becomes part of the artwork.
ACTION AS SCULPTURE / HANDLUNG ALS SKULPTUR is conceived as a vivid, dynamic project centered on investigating works of art that change every time they are activated. Featuring some important original works and numerous exhibition reproductions of interactive works that established the singularities of these two artists oeuvres, this show contains the largest group of Clark’s and Walther’s positions to be assembled together for the first time. Their close proximity emphasizes both their contextual and formal intersectionality, as well as their crucial distinctions—potentially raising new questions about the work of both artists.
In an extensive catalogue, which documents the exhibition, the internationally known scholars Jessica Gogan, Daniela Labra, Luis Pérez-Oramas und Irene Small will explore the radical practices of the two artists within the historical context of their era.
Over the course of the exhibit, works will be activated everywhere inside the VILLA, and in spring and summer, activations will take place in the inner courtyard.
The exhibition was conceived by Dr. Daniela Labra and Susanne Walther.
The exhibition is developed in close collaboration with the Associação Cultural Lygia Clark in Rio de Janeiro.